A Pendant to "The Domain of Arnheim"
DURING a pedestrian trip last summer, through one or two of the river counties of New York, I found myself, as the day declined, somewhat embarrassed about the road I was pursuing. The land undulated very remarkably; and my path, for the last hour, had wound about and about so confusedly, in its effort to keep in the valleys, that I no longer knew in what direction lay the sweet village of B ---, where I had determined to stop for the night. The sun had scarcely shone --- strictly speaking --- during the day, which nevertheless, had been unpleasantly warm. A smoky mist, resembling that of the Indian summer, enveloped all things, and of course, added to my uncertainty. Not that I cared much about the matter. If I did not hit upon the village before sunset, or even before dark, it was more than possible that a little Dutch farmhouse, or something of that kind, would soon make its appearance --- although, in fact, the neighborhood (perhaps on account of being more picturesque than fertile) was very sparsely inhabited. At all events, with my knapsack for a pillow, and my hound as a sentry, a bivouac in the open air was just the thing which would have amused me. I sauntered on, therefore, quite at ease --- Ponto taking charge of my gun --- until at length, just as I had begun to consider whether the numerous little glades that led hither and thither, were intended to be paths at all, I was conducted by one of them into an unquestionable carriage track. There could be no mistaking it. The traces of light wheels were evident; and although the tall shrubberies and overgrown undergrowth met overhead, there was no obstruction whatever below, even to the passage of a Virginian mountain wagon --- the most aspiring vehicle, I take it, of its kind. The road, however, except in being open through the wood --- if wood be not too weighty a name for such an assemblage of light trees --- and except in the particulars of evident wheel-tracks --- bore no resemblance to any road I had before seen. The tracks of which I speak were but faintly perceptible --- having been impressed upon the firm, yet pleasantly moist surface of --- what looked more like green Genoese velvet than any thing else. It was grass, clearly --- but grass such as we seldom see out of England --- so short, so thick, so even, and so vivid in color. Not a single impediment lay in the wheel-route --- not even a chip or dead twig. The stones that once obstructed the way had been carefully placed --- not thrown-along the sides of the lane, so as to define its boundaries at bottom with a kind of half-precise, half-negligent, and wholly picturesque definition. Clumps of wild flowers grew everywhere, luxuriantly, in the interspaces.
What to make of all this, of course I knew not. Here was art undoubtedly --- that did not surprise me --- all roads, in the ordinary sense, are works of art; nor can I say that there was much to wonder at in the mere excess of art manifested; all that seemed to have been done, might have been done here --- with such natural "capabilities" (as they have it in the books on Landscape Gardening) --- with very little labor and expense. No; it was not the amount but the character of the art which caused me to take a seat on one of the blossomy stones and gaze up and down this fairy --- like avenue for half an hour or more in bewildered admiration. One thing became more and more evident the longer I gazed: an artist, and one with a most scrupulous eye for form, had superintended all these arrangements. The greatest care had been taken to preserve a due medium between the neat and graceful on the one hand, and the pittoresque, in the true sense of the Italian term, on the other. There were few straight, and no long uninterrupted lines. The same effect of curvature or of color appeared twice, usually, but not oftener, at any one point of view. Everywhere was variety in uniformity. It was a piece of "composition," in which the most fastidiously critical taste could scarcely have suggested an emendation.
I had turned to the right as I entered this road, and now, arising, I continued in the same direction. The path was so serpentine, that at no moment could I trace its course for more than two or three paces in advance. Its character did not undergo any material change.
Presently the murmur of water fell gently upon my ear --- and in a few moments afterward, as I turned with the road somewhat more abruptly than hitherto, I became aware that a building of some kind lay at the foot of a gentle declivity just before me. I could see nothing distinctly on account of the mist which occupied all the little valley below. A gentle breeze, however, now arose, as the sun was about descending; and while I remained standing on the brow of the slope, the fog gradually became dissipated into wreaths, and so floated over the scene.
As it came fully into view --- thus gradually as I describe it --- piece by piece, here a tree, there a glimpse of water, and here again the summit of a chimney, I could scarcely help fancying that the whole was one of the ingenious illusions sometimes exhibited under the name of "vanishing pictures."
By the time, however, that the fog had thoroughly disappeared, the sun had made its way down behind the gentle hills, and thence, as it with a slight chassez to the south, had come again fully into sight, glaring with a purplish lustre through a chasm that entered the valley from the west. Suddenly, therefore --- and as if by the hand of magic --- this whole valley and every thing in it became brilliantly visible.
The first coup d'oeil, as the sun slid into the position described, impressed me very much as I have been impressed, when a boy, by the concluding scene of some well-arranged theatrical spectacle or melodrama. Not even the monstrosity of color was wanting; for the sunlight came out through the chasm, tinted all orange and purple; while the vivid green of the grass in the valley was reflected more or less upon all objects from the curtain of vapor that still hung overhead, as if loth to take its total departure from a scene so enchantingly beautiful.
The general floor of the amphitheatre was grass of the same character as that I had found in the road; if anything, more deliciously soft, thick, velvety, and miraculously green. It was hard to conceive how all this beauty had been attained.
The lake was deep --- at some points thirty feet --- but the rivulet seldom exceeded three, while its greatest width was about eight. Its bottom and banks were as those of the pond --- if a defect could have been attributed, in point of picturesqueness, it was that of excessive neatness.
The expanse of the green turf was relieved, here and there, by an occasional showy shrub, such as the hydrangea, or the common snowball, or the aromatic seringa; or, more frequently, by a clump of geraniums blossoming gorgeously in great varieties. These latter grew in pots which were carefully buried in the soil, so as to give the plants the appearance of being indigenous. Besides all this, the lawn's velvet was exquisitely spotted with sheep --- a considerable flock of which roamed about the vale, in company with three tamed deer, and a vast number of brilliantly- plumed ducks. A very large mastiff seemed to be in vigilant attendance upon these animals, each and all.
Along the eastern and western cliffs --- where, toward the upper portion of the amphitheatre, the boundaries were more or less precipitous --- grew ivy in great profusion --- so that only here and there could even a glimpse of the naked rock be obtained. The northern precipice, in like manner, was almost entirely clothed by grape-vines of rare luxuriance; some springing from the soil at the base of the cliff, and others from ledges on its face.
The slight elevation which formed the lower boundary of this little domain, was crowned by a neat stone wall, of sufficient height to prevent the escape of the deer. Nothing of the fence kind was observable elsewhere; for nowhere else was an artificial enclosure needed: --- any stray sheep, for example, which should attempt to make its way out of the vale by means of the ravine, would find its progress arrested, after a few yards' advance, by the precipitous ledge of rock over which tumbled the cascade that had arrested my attention as I first drew near the domain. In short, the only ingress or egress was through a gate occupying a rocky pass in the road, a few paces below the point at which I stopped to reconnoitre the scene.
I have described the brook as meandering very irregularly through the whole of its course. Its two general directions, as I have said, were first from west to east, and then from north to south. At the turn, the stream, sweeping backward, made an almost circular loop, so as to form a peninsula which was very nearly an island, and which included about the sixteenth of an acre. On this peninsula stood a dwelling-house --- and when I say that this house, like the infernal terrace seen by Vathek, "etait d'une architecture inconnue dans les annales de la terre," I mean, merely, that its tout ensemble struck me with the keenest sense of combined novelty and propriety --- in a word, of poetry --- (for, than in the words just employed, I could scarcely give, of poetry in the abstract, a more rigorous definition) --- and I do not mean that merely outre was perceptible in any respect.
In fact nothing could well be more simple --- more utterly unpretending than this cottage. Its marvellous effect lay altogether in its artistic arrangement as a picture. I could have fancied, while I looked at it, that some eminent landscape-painter had built it with his brush.
The point of view from which I first saw the valley, was not altogether, although it was nearly, the best point from which to survey the house. I will therefore describe it as I afterwards saw it --- from a position on the stone wall at the southern extreme of the amphitheatre.
The blank wall of the eastern gable was relieved by stairs (with a balustrade) running diagonally across it --- the ascent being from the south. Under cover of the widely projecting eave these steps gave access to a door leading to the garret, or rather loft --- for it was lighted only by a single window to the north, and seemed to have been intended as a store-room.
The piazzas of the main building and western wing had no floors, as is usual; but at the doors and at each window, large, flat irregular slabs of granite lay imbedded in the delicious turf, affording comfortable footing in all weather. Excellent paths of the same material --- not nicely adapted, but with the velvety sod filling frequent intervals between the stones, led hither and thither from the house, to a crystal spring about five paces off, to the road, or to one or two out --- houses that lay to the north, beyond the brook, and were thoroughly concealed by a few locusts and catalpas.
Not more than six steps from the main door of the cottage stood the dead trunk of a fantastic pear-tree, so clothed from head to foot in the gorgeous bignonia blossoms that one required no little scrutiny to determine what manner of sweet thing it could be. From various arms of this tree hung cages of different kinds. In one, a large wicker cylinder with a ring at top, revealed a mocking bird; in another an oriole; in a third the impudent bobolink --- while three or four more delicate prisons were loudly vocal with canaries.
The pillars of the piazza were enwreathed in jasmine and sweet honeysuckle; while from the angle formed by the main structure and its west wing, in front, sprang a grape-vine of unexampled luxuriance. Scorning all restraint, it had clambered first to the lower roof --- then to the higher; and along the ridge of this latter it continued to writhe on, throwing out tendrils to the right and left, until at length it fairly attained the east gable, and fell trailing over the stairs.
The whole house, with its wings, was constructed of the old-fashioned Dutch shingles --- broad, and with unrounded corners. It is a peculiarity of this material to give houses built of it the appearance of being wider at bottom than at top --- after the manner of Egyptian architecture; and in the present instance, this exceedingly picturesque effect was aided by numerous pots of gorgeous flowers that almost encompassed the base of the buildings.
The shingles were painted a dull gray; and the happiness with which this neutral tint melted into the vivid green of the tulip tree leaves that partially overshadowed the cottage, can readily be conceived by an artist.
From the position near the stone wall, as described, the buildings were seen at great advantage --- for the southeastern angle was thrown forward --- so that the eye took in at once the whole of the two fronts, with the picturesque eastern gable, and at the same time obtained just a sufficient glimpse of the northern wing, with parts of a pretty roof to the spring-house, and nearly half of a light bridge that spanned the brook in the near vicinity of the main buildings.
I did not remain very long on the brow of the hill, although long enough to make a thorough survey of the scene at my feet. It was clear that I had wandered from the road to the village, and I had thus good traveller's excuse to open the gate before me, and inquire my way, at all events; so, without more ado, I proceeded.
The road, after passing the gate, seemed to lie upon a natural ledge, sloping gradually down along the face of the north-eastern cliffs. It led me on to the foot of the northern precipice, and thence over the bridge, round by the eastern gable to the front door. In this progress, I took notice that no sight of the out-houses could be obtained.
As I turned the corner of the gable, the mastiff bounded towards me in stern silence, but with the eye and the whole air of a tiger. I held him out my hand, however, in token of amity --- and I never yet knew the dog who was proof against such an appeal to his courtesy. He not only shut his mouth and wagged his tail, but absolutely offered me his paw-afterward extending his civilities to Ponto.
As no bell was discernible, I rapped with my stick against the door, which stood half open. Instantly a figure advanced to the threshold --- that of a young woman about twenty-eight years of age --- slender, or rather slight, and somewhat above the medium height. As she approached, with a certain modest decision of step altogether indescribable. I said to myself, "Surely here I have found the perfection of natural, in contradistinction from artificial grace." The second impression which she made on me, but by far the more vivid of the two, was that of enthusiasm. So intense an expression of romance, perhaps I should call it, or of unworldliness, as that which gleamed from her deep-set eyes, had never so sunk into my heart of hearts before. I know not how it is, but this peculiar expression of the eye, wreathing itself occasionally into the lips, is the most powerful, if not absolutely the sole spell, which rivets my interest in woman. "Romance, provided my readers fully comprehended what I would here imply by the word --- "romance" and "womanliness" seem to me convertible terms: and, after all, what man truly loves in woman, is simply her womanhood. The eyes of Annie (I heard some one from the interior call her "Annie, darling!") were "spiritual gray;" her hair, a light chestnut: this is all I had time to observe of her.
At her most courteous of invitations, I entered --- passing first into a tolerably wide vestibule. Having come mainly to observe, I took notice that to my right as I stepped in, was a window, such as those in front of the house; to the left, a door leading into the principal room; while, opposite me, an open door enabled me to see a small apartment, just the size of the vestibule, arranged as a study, and having a large bow window looking out to the north.
Passing into the parlor, I found myself with Mr. Landor --- for this, I afterwards found, was his name. He was civil, even cordial in his manner, but just then, I was more intent on observing the arrangements of the dwelling which had so much interested me, than the personal appearance of the tenant.
The north wing, I now saw, was a bed-chamber, its door opened into the parlor. West of this door was a single window, looking toward the brook. At the west end of the parlor, were a fireplace, and a door leading into the west wing --- probably a kitchen.
Nothing could be more rigorously simple than the furniture of the parlor. On the floor was an ingrain carpet, of excellent texture --- a white ground, spotted with small circular green figures. At the windows were curtains of snowy white jaconet muslin: they were tolerably full, and hung decisively, perhaps rather formally in sharp, parallel plaits to the floor --- just to the floor. The walls were prepared with a French paper of great delicacy, a silver ground, with a faint green cord running zig-zag throughout. Its expanse was relieved merely by three of Julien's exquisite lithographs a trois crayons, fastened to the wall without frames. One of these drawings was a scene of Oriental luxury, or rather voluptuousness; another was a "carnival piece," spirited beyond compare; the third was a Greek female head --- a face so divinely beautiful, and yet of an expression so provokingly indeterminate, never before arrested my attention.
The more substantial furniture consisted of a round table, a few chairs (including a large rocking-chair), and a sofa, or rather "settee;" its material was plain maple painted a creamy white, slightly interstriped with green; the seat of cane. The chairs and table were "to match," but the forms of all had evidently been designed by the same brain which planned "the grounds;" it is impossible to conceive anything more graceful.
On the table were a few books, a large, square, crystal bottle of some novel perfume, a plain ground --- glass astral (not solar) lamp with an Italian shade, and a large vase of resplendently-blooming flowers. Flowers, indeed, of gorgeous colors and delicate odor formed the sole mere decoration of the apartment. The fire-place was nearly filled with a vase of brilliant geranium. On a triangular shelf in each angle of the room stood also a similar vase, varied only as to its lovely contents. One or two smaller bouquets adorned the mantel, and late violets clustered about the open windows.
It is not the purpose of this work to do more than give, in detail, a picture of Mr. Landor's residence --- as I found it.