In a remote village among some wild hills in the province of Lorraine, there lived a countryman whose name was Jacques d’Arc.  He had a daughter, Joan of Arc, who was at this time in her twentieth year.  She had been a solitary girl from her childhood; she had often tended sheep and cattle for whole days where no human figure was seen or human voice heard; and she had often knelt, for hours together, in the gloomy, empty, little village chapel, looking up at the altar and at the dim lamp burning before it, until she fancied that she saw shadowy figures standing there, and even that she heard them speak to her.  The people in that part of France were very ignorant and superstitious, and they had many ghostly tales to tell about what they had dreamed, and what they saw among the lonely hills when the clouds and the mists were resting on them.  So, they easily believed that Joan saw strange sights, and they whispered among themselves that angels and spirits talked to her.

At last, Joan told her father that she had one day been surprised by a great unearthly light, and had afterwards heard a solemn voice, which said it was Saint Michael’s voice, telling her that she was to go and help the Dauphin.  Soon after this (she said), Saint Catherine and Saint Margaret had appeared to her with sparkling crowns upon their heads, and had encouraged her to be virtuous and resolute.  These visions had returned sometimes; but the Voices very often; and the voices always said, ‘Joan, thou art appointed by Heaven to go and help the Dauphin!’  She almost always heard them while the chapel bells were ringing.

There is no doubt, now, that Joan believed she saw and heard these things.  It is very well known that such delusions are a disease which is not by any means uncommon.  It is probable enough that there were figures of Saint Michael, and Saint Catherine, and Saint Margaret, in the little chapel (where they would be very likely to have shining crowns upon their heads), and that they first gave Joan the idea of those three personages.  She had long been a moping, fanciful girl, and, though she was a very good girl, I dare say she was a little vain, and wishful for notoriety.

Her father, something wiser than his neighbours, said, ‘I tell thee, Joan, it is thy fancy.  Thou hadst better have a kind husband to take care of thee, girl, and work to employ thy mind!’  But Joan told him in reply, that she had taken a vow never to have a husband, and that she must go as Heaven directed her, to help the Dauphin.

It happened, unfortunately for her father’s persuasions, and most unfortunately for the poor girl, too, that a party of the Dauphin’s enemies found their way into the village while Joan’s disorder was at this point, and burnt the chapel, and drove out the inhabitants.  The cruelties she saw committed, touched Joan’s heart and made her worse.  She said that the voices and the figures were now continually with her; that they told her she was the girl who, according to an old prophecy, was to deliver France; and she must go and help the Dauphin, and must remain with him until he should be crowned at Rheims: and that she must travel a long way to a certain lord named Baudricourt, who could and would, bring her into the Dauphin’s presence.

As her father still said, ‘I tell thee, Joan, it is thy fancy,’ she set off to find out this lord, accompanied by an uncle, a poor village wheelwright and cart-maker, who believed in the reality of her visions.  They travelled a long way and went on and on, over a rough country, full of the Duke of Burgundy’s men, and of all kinds of robbers and marauders, until they came to where this lord was.

When his servants told him that there was a poor peasant girl named Joan of Arc, accompanied by nobody but an old village wheelwright and cart-maker, who wished to see him because she was commanded to help the Dauphin and save France, Baudricourt burst out a-laughing, and bade them send the girl away.  But, he soon heard so much about her lingering in the town, and praying in the churches, and seeing visions, and doing harm to no one, that he sent for her, and questioned her.  As she said the same things after she had been well sprinkled with holy water as she had said before the sprinkling, Baudricourt began to think there might be something in it.  At all events, he thought it worth while to send her on to the town of Chinon, where the Dauphin was.  So, he bought her a horse, and a sword, and gave her two squires to conduct her.  As the Voices had told Joan that she was to wear a man’s dress, now, she put one on, and girded her sword to her side, and bound spurs to her heels, and mounted her horse and rode away with her two squires.  As to her uncle the wheelwright, he stood staring at his niece in wonder until she was out of sight—as well he might—and then went home again.  The best place, too.

Joan and her two squires rode on and on, until they came to Chinon, where she was, after some doubt, admitted into the Dauphin’s presence.  Picking him out immediately from all his court, she told him that she came commanded by Heaven to subdue his enemies and conduct him to his coronation at Rheims.  She also told him (or he pretended so afterwards, to make the greater impression upon his soldiers) a number of his secrets known only to himself, and, furthermore, she said there was an old, old sword in the cathedral of Saint Catherine at Fierbois, marked with five old crosses on the blade, which Saint Catherine had ordered her to wear.

Now, nobody knew anything about this old, old sword, but when the cathedral came to be examined—which was immediately done—there, sure enough, the sword was found!  The Dauphin then required a number of grave priests and bishops to give him their opinion whether the girl derived her power from good spirits or from evil spirits, which they held prodigiously long debates about, in the course of which several learned men fell fast asleep and snored loudly.  At last, when one gruff old gentleman had said to Joan, ‘What language do your Voices speak?’ and when Joan had replied to the gruff old gentleman, ‘A pleasanter language than yours,’ they agreed that it was all correct, and that Joan of Arc was inspired from Heaven.  This wonderful circumstance put new heart into the Dauphin’s soldiers when they heard of it, and dispirited the English army, who took Joan for a witch.

So Joan mounted horse again, and again rode on and on, until she came to Orleans.  But she rode now, as never peasant girl had ridden yet.  She rode upon a white war-horse, in a suit of glittering armour; with the old, old sword from the cathedral, newly burnished, in her belt; with a white flag carried before her, upon which were a picture of God, and the words Jesus Maria.  In this splendid state, at the head of a great body of troops escorting provisions of all kinds for the starving inhabitants of Orleans, she appeared before that beleaguered city.

When the people on the walls beheld her, they cried out ‘The Maid is come!  The Maid of the Prophecy is come to deliver us!’  And this, and the sight of the Maid fighting at the head of their men, made the French so bold, and made the English so fearful, that the English line of forts was soon broken, the troops and provisions were got into the town, and Orleans was saved.

Joan, henceforth called The Maid of Orleans, remained within the walls for a few days, and caused letters to be thrown over, ordering Lord Suffolk and his Englishmen to depart from before the town according to the will of Heaven.  As the English general very positively declined to believe that Joan knew anything about the will of Heaven (which did not mend the matter with his soldiers, for they stupidly said if she were not inspired she was a witch, and it was of no use to fight against a witch), she mounted her white war-horse again, and ordered her white banner to advance.

The besiegers held the bridge, and some strong towers upon the bridge; and here the Maid of Orleans attacked them.  The fight was fourteen hours long.  She planted a scaling ladder with her own hands, and mounted a tower wall, but was struck by an English arrow in the neck, and fell into the trench.  She was carried away and the arrow was taken out, during which operation she screamed and cried with the pain, as any other girl might have done; but presently she said that the Voices were speaking to her and soothing her to rest.  After a while, she got up, and was again foremost in the fight.  When the English who had seen her fall and supposed her dead, saw this, they were troubled with the strangest fears, and some of them cried out that they beheld Saint Michael on a white horse (probably Joan herself) fighting for the French.  They lost the bridge, and lost the towers, and next day set their chain of forts on fire, and left the place.

But as Lord Suffolk himself retired no farther than the town of Jargeau, which was only a few miles off, the Maid of Orleans besieged him there, and he was taken prisoner.  As the white banner scaled the wall, she was struck upon the head with a stone, and was again tumbled down into the ditch; but, she only cried all the more, as she lay there, ‘On, on, my countrymen!  And fear nothing, for the Lord hath delivered them into our hands!’  After this new success of the Maid’s, several other fortresses and places which had previously held out against the Dauphin were delivered up without a battle; and at Patay she defeated the remainder of the English army, and set up her victorious white banner on a field where twelve hundred Englishmen lay dead.

She now urged the Dauphin (who always kept out of the way when there was any fighting) to proceed to Rheims, as the first part of her mission was accomplished; and to complete the whole by being crowned there.  The Dauphin was in no particular hurry to do this, as Rheims was a long way off, and the English and the Duke of Burgundy were still strong in the country through which the road lay.  However, they set forth, with ten thousand men, and again the Maid of Orleans rode on and on, upon her white war-horse, and in her shining armour.  Whenever they came to a town which yielded readily, the soldiers believed in her; but, whenever they came to a town which gave them any trouble, they began to murmur that she was an impostor.  The latter was particularly the case at Troyes, which finally yielded, however, through the persuasion of one Richard, a friar of the place.  Friar Richard was in the old doubt about the Maid of Orleans, until he had sprinkled her well with holy water, and had also well sprinkled the threshold of the gate by which she came into the city.  Finding that it made no change in her or the gate, he said, as the other grave old gentlemen had said, that it was all right, and became her great ally.

So, at last, by dint of riding on and on, the Maid of Orleans, and the Dauphin, and the ten thousand sometimes believing and sometimes unbelieving men, came to Rheims.  And in the great cathedral of Rheims, the Dauphin actually was crowned Charles the Seventh in a great assembly of the people.  Then, the Maid, who with her white banner stood beside the King in that hour of his triumph, kneeled down upon the pavement at his feet, and said, with tears, that what she had been inspired to do, was done, and that the only recompense she asked for, was, that she should now have leave to go back to her distant home, and her sturdily incredulous father, and her first simple escort the village wheelwright and cart-maker.  But the King said ‘No!’ and made her and her family as noble as a King could, and settled upon her the income of a Count.

Ah! happy had it been for the Maid of Orleans, if she had resumed her rustic dress that day, and had gone home to the little chapel and the wild hills, and had forgotten all these things, and had been a good man’s wife, and had heard no stranger voices than the voices of little children!

It was not to be, and she continued helping the King (she did a world for him, in alliance with Friar Richard), and trying to improve the lives of the coarse soldiers, and leading a religious, an unselfish, and a modest life, herself, beyond any doubt.  Still, many times she prayed the King to let her go home; and once she even took off her bright armour and hung it up in a church, meaning never to wear it more.  But, the King always won her back again—while she was of any use to him—and so she went on and on and on, to her doom.

When the Duke of Bedford, who was a very able man, began to be active for England, and, by bringing the war back into France and by holding the Duke of Burgundy to his faith, to distress and disturb Charles very much, Charles sometimes asked the Maid of Orleans what the Voices said about it?  But, the Voices had become (very like ordinary voices in perplexed times) contradictory and confused, so that now they said one thing, and now said another, and the Maid lost credit every day.  Charles marched on Paris, which was opposed to him, and attacked the suburb of Saint Honoré.  In this fight, being again struck down into the ditch, she was abandoned by the whole army.  She lay unaided among a heap of dead, and crawled out how she could.  Then, some of her believers went over to an opposition Maid, Catherine of La Rochelle, who said she was inspired to tell where there were treasures of buried money—though she never did—and then Joan accidentally broke the old, old sword, and others said that her power was broken with it.  Finally, at the siege of Compiègne, held by the Duke of Burgundy, where she did valiant service, she was basely left alone in a retreat, though facing about and fighting to the last; and an archer pulled her off her horse.

O the uproar that was made, and the thanksgivings that were sung, about the capture of this one poor country-girl!  O the way in which she was demanded to be tried for sorcery and heresy, and anything else you like, by the Inquisitor-General of France, and by this great man, and by that great man, until it is wearisome to think of! She was bought at last by the Bishop of Beauvais for ten thousand francs, and was shut up in her narrow prison: plain Joan of Arc again, and Maid of Orleans no more.

I should never have done if I were to tell you how they had Joan out to examine her, and cross-examine her, and re-examine her, and worry her into saying anything and everything; and how all sorts of scholars and doctors bestowed their utmost tediousness upon her.  Sixteen times she was brought out and shut up again, and worried, and entrapped, and argued with, until she was heart-sick of the dreary business.  On the last occasion of this kind she was brought into a burial-place at Rouen, dismally decorated with a scaffold, and a stake and faggots, and the executioner, and a pulpit with a friar therein, and an awful sermon ready.  It is very affecting to know that even at that pass the poor girl honoured the mean vermin of a King, who had so used her for his purposes and so abandoned her; and, that while she had been regardless of reproaches heaped upon herself, she spoke out courageously for him.

It was natural in one so young to hold to life.  To save her life, she signed a declaration prepared for her—signed it with a cross, for she couldn’t write—that all her visions and Voices had come from the Devil.  Upon her recanting the past, and protesting that she would never wear a man’s dress in future, she was condemned to imprisonment for life, ‘on the bread of sorrow and the water of affliction.’

But, on the bread of sorrow and the water of affliction, the visions and the Voices soon returned.  It was quite natural that they should do so, for that kind of disease is much aggravated by fasting, loneliness, and anxiety of mind.  It was not only got out of Joan that she considered herself inspired again, but, she was taken in a man’s dress, which had been left—to entrap her—in her prison, and which she put on, in her solitude; perhaps, in remembrance of her past glories, perhaps, because the imaginary Voices told her.  For this relapse into the sorcery and heresy and anything else you like, she was sentenced to be burnt to death.  And, in the market-place of Rouen, in the hideous dress which the monks had invented for such spectacles; with priests and bishops sitting in a gallery looking on, though some had the Christian grace to go away, unable to endure the infamous scene; this shrieking girl—last seen amidst the smoke and fire, holding a crucifix between her hands; last heard, calling upon Christ—was burnt to ashes.  They threw her ashes into the river Seine; but they will rise against her murderers on the last day.

From the moment of her capture, neither the French King nor one single man in all his court raised a finger to save her.  It is no defence of them that they may have never really believed in her, or that they may have won her victories by their skill and bravery.  The more they pretended to believe in her, the more they had caused her to believe in herself; and she had ever been true to them, ever brave, ever nobly devoted.  But, it is no wonder, that they, who were in all things false to themselves, false to one another, false to their country, false to Heaven, false to Earth, should be monsters of ingratitude and treachery to a helpless peasant girl.

In the picturesque old town of Rouen, where weeds and grass grow high on the cathedral towers, and the venerable Norman streets are still warm in the blessed sunlight though the monkish fires that once gleamed horribly upon them have long grown cold, there is a statue of Joan of Arc, in the scene of her last agony, the square to which she has given its present name.  I know some statues of modern times—even in the World’s metropolis, I think—which commemorate less constancy, less earnestness, smaller claims upon the world’s attention, and much greater impostors.